INDEX
Page 18
PAPERS
Page 21
Celestino Soddu
Italy
Argenia, Generative Art and Design Lab
ARGENIA. INTERPRETING THREE THOUSAND YEARS OF HISTORY TO LIVE ON MARS
Page 31
Enrica Colabella
Italy
Generative Art & Design Lab, Argenia
THE GENERATIVE ART OF FINITUDINESS
Page 43
Dmitry L. Weise
Russia
Central Research Institute of Dental and Maxillofacial Surgery, Department of
Radiation Diagnostics. Moscow
PHYLLOTAXIS IS NOT LOGARITHMIC
Page 50
Peter Beyls
Belgium
University College Ghent, The School of Arts
TRILOBITE, A LEARNING ROBOTIC CREATURE USING DEEPVISION
Page 59
Monika Karwaszewska
Poland
Stanisław Moniuszko Academy of Music in Gdańsk
FROM KAMIL CIEŚLIK’S IN DANZIG TO IN EDANZIG
Page 68
Alain Lioret
France
Department of Arts et Technologies de l’Image, Paris 8 University
Page 74
Nicolas Reeves, J.M. Chomaz, V. Cusson
Canada
School of Design, University of Quebec in Montreal, Hydrodynamics laboratory, École Polytechnique, Paris-Saclay, Music & Techology, McGill University, Montreal, TECTONICS OF THE MISTS :SCULPTING THE VERY SUBSTANCE OF CLOUDS
Page 87
Ben Baruch Blich
Israel
Faculty of the Arts
MODELLING OF ARCHITECTURAL MODEL
Page 92
Jack Ox
USA
Creative Director of Intermedia Projects Inc
Research Associate with the Center for Advanced Research Computing, UNM Research Fellow at ART/SCI Lab, ATEC, University of Texas, Dallas
DATA FROM DADA: MAPPING KURT SCHWITTERS' SOUND-POEM, THE URSONATE, INTO A 73 SQUARE METER PAINTING
Page 102
Jan Paredaens
Belgium
University of Antwerp
THE BEAUTY-DEGREE OF PARAMETERS IN GENERATIVE ART
Page 109
David Upton
UK Artist
A SYSTEM FOR GENERATING COLOURS AND IMAGES USING 'ONE-TIME' CRYPTOGRAPHY
Page 120
Philip Galanter
USA
Department of Visualization, Texas A&M University, College Station, Texas
THE ONTOLOGY OF GENERATIVE ART, INFORMATION, AND UNIVERSAL DARWINISM
Page 127
Stefanie Egger, Christian Lepenik
Austria
The Invisible Lab, Graz
LINEARISATION OF NON-LINEAR PROBLEMS – CURATING A WRITTEN EXHIBITION
Page 133
Chad Eby
USA
School of Art and Visual Studies, University of Kentucky, Lexington, KY, AMONG BLACK BOXES AND MAZE-BUILDING RATS: REFLECTIONS ON ART MAKING WITH AUTONOMOUS RULES; AUTOMATIC CITIES
Page 144
Guillaume Rochais
France
ACCRA, Université de Strasbourg
Page 153
Nicolai Steinø
Denmark
Aalborg University, Department of Architecture and Media Technology
PARAMETRIC URBAN DESIGN AS A MEDIUM FOR THE ARTISTIC EXPLORATION OF URBAN SPACE AND FORM
Page 165
Yan Bello Mendez
Spain
Creative founder & AI expert. Spaceminds sl, Madrid
Page 179
Dragana Ciric
Serbia
University of Belgrade
Page 208
Sławomir Wojtkiewicz
Poland
Technical University of Bialystok, Faculty of Architecture, Department of Visual Arts
Page 216
Nathan Matteson, Nicholas Kersulis
USA
School of Design, College of Computing and Digital Media, DePaul University, Chicago IL; Otis College of Art and Design, Los Angeles CA
GOOD-FOR-NOTHING (NO. 2) AND GOOD-FOR-NOTHING (POURS)
Page 220
Stig Møller Hansen
Denmark
Center for Design & Visual Communication, Danish School of Media and Journalism, Copenhagen
Page 231
Stephen M Campbell
UK
The Puzzle Factory, Salford
THE PUZZLE FACTORY’S, GENERATIVE ART STUDIO
Page 242
Ahmed Abdulwahid Dhannoon Taha, Oday Qusay Abdulqader Alchalabi
Iraq
Department of Architecture Engineering, College of Engineering, University of Mosul
THE USE OF THE MULTI-FRAMING MECHANISM IN THE FACADES OF ISLAMIC ARCHITECTURE
Page 249
Andre Kudra
Germany
AoC Initiative, Germany | Echtzeit – Digitale Kultur, Switzerland
DEMOSCENE DARK MATTER – THE CULTURE THAT MAKES PEOPLE STAY IN THE SCENE
Page 256
Volodymyr V. Riznyk
Ukraine
Department of Automated Control Systems, Lviv Polynechnic National University
GENERATIVE DESIGN UNDER THE INTELLIGENT MANIFOLD COORDINATE SYSTEMS
Page 268
Ela Krieger
Israel
Art Department, Oranim Academic College, Kiryat Tiv’on
ON ARTISTIC AUTONOMY AND THE PATTERN IN JASPER JOHNS’S SCENT (1973–
Page 276
Marie-Pascale Corcuff
France
GRIEF, ENSAB, Rennes
BACK TO SNOWFLAKES, AND BEYOND
Page 287
Hedy Hurban
UK
Department of Art, Design Architecture, University of Plymouth
Page 300
Joshua Holden
USA
Department of Mathematics, Rose-Hulman Institute of Technology, Terre Haute, IN
Page 307
Helena A. Verrill
UK
Warwick Mathematics Institute
Page 315
Daniel Bisig, Ephraim Wegner
UK, Switzerland, Germany
Center for Dance Research, Coventry University, Coventry, United Kingdoms, Institute for Computer Music and Sound Technology, Zurich University of the arts, Zurich, Offenburg University, Offenburg
PUPPETEERING AN AI - INTERACTIVE CONTROL OF A MACHINE-LEARNING BASED ARTIFICIAL DANCER
Page 333
Henk Hietbrink
The Netherlands
independent researcher, Utrecht
A VISUAL INTERPRETER FOR PRE-DEFINED MUQARNAS UNITS
Page 343
Irene Rousseau
USA
Artist, President American Abstract Artist
NATURE AS A STRATEGY FOR PATTERN FORMATION IN ART
Page 349
Tanmay Banerjee, Alain Lioret, John Bardakos
France
Team INREV / AI-AC Lab, Université Paris 8 Vincennes Saint-Denis
re-prOCesS.iN_(g)_ene/Rate: [GENERATIVE PROPERTIES OF A LINE IN SYSTEMS ART & RELATIONAL AESTHETICS]
Page 353
Daniel Larrain
Chile
Catholic University of Chile; McGill University
PROJECTING TEXT TO MUSICAL MATERIALS: MAPPING AS A CREATIVE PROCESS
Page 363
Jeffrey M. Morris
USA
Department of Performance Studies, Texas A&M University, College Station, Texas
THE MUSIC OF MACHINE MISREADING:
MACHINE LEARNING ARTIFACTS AS SOURCES FOR ARTISTIC CONTENT AND CONTROL
Page 369
Erik Demaine, Martin Demaine
USA
Massachusetts Institute of Technology, Cambridge, MA
MORE THAN WORDS: FONTS AS GENERATIVE ART
Page 379
Aamina Karim Malik
Pakistan
Page 388
Artemis Moroni, Jonatas Manzolli, C. Dezotti, E. Nascimento, T. Lacerda, G. Kuae, D. Gonçalves, M. Medicina
Brazil
Division of Cyberphysical Systems – CTI Renato Archer, Institute of Arts, University of Campinas
RE-DRAWING CAMPINAS WITH DISC-RABISCO
Page 394
Davide Prete, Sergio Picozzi
USA
University of the District of Columbia, The Catholic University of America
FROM DIGITAL TO PHYSICAL: BEST PRACTISES TO 3D PRINT DIGITAL MODELS IN LARGE SCALE PHYSICAL MODELS
Page 399
Christopher Fry
UK
Westminster School of Art, University of Westminster
ENCOUNTERS WITH ERRORS: HOW THE ERROR SHAPES RELATIONSHIPS WITH DIGITAL MEDIA PRACTICE
Page 409
Alp Tuğan, Turkey
Page 421
Benjamin Storch
UK
Sculpture Artist
Page 427
Robert Spahr
USA
School of media arts, Southern Illinois University Carbondale
DEFENDING UNCERTAINTY: THE CREATIVE PROCESS AND GENERATIVE ART;
Page 428
Liu Yi-yang Tyler
Finland
Department of New Media, Aalto University, Espoo
Performnces, Artworks, and Posters
Page 437
Enrica Colabella, Celestino Soddu, Nicola Baroni, Franco Melis
Italy
Generative Art & Design Lab, Argenia
Page 442
Beata Oryl, Michał Garnowski
Poland
Stanisław Moniuszko Academy of Music in Gdańsk
IN DANZIG. A CHOREOGRAPHIC INPHRASIS
Page 444
Kathryn Ricketts, Angela Ferraiolo, Arne Eigenfeldt
Canada, USA
Faculty of Education, University of Regina, Regina; Visual Arts Faculty, Sarah Lawrence College, New York; School for the Contemporary Arts, Vancouver
Page 446
Kathryn Ricketts, Scott Morgan
Canada
Faculty of Education, University of Regina
Page 448
Robert Spahr, Jay Needham
USA
School of media arts, Southern Illinois University Carbondale
Page 449
Barbara Loi
Italy
poet
VOICES OF JANAS, VOICES OF SIRENS
SOURCES FOR ARTISTIC CONTENT AND CONTROL
Page 454
Arne Eigenfeldt
Canada
School for the Contemporary Arts Simon Fraser University, Vancouver
Page 455
Angela Ferraiolo
USA
Visual and Studio Arts, Sarah Lawrence College, Bronxville, New York
Page 457
Anjika Verma
USA
Art Department, University of Wisconsin-Madison, Madison
Page 462
Caitlin E. McDonald
UK
Creative Informatics, University of Edinburgh, Edimburgh
PELICAN STAIRS: A WAPPING GREAT PANDEMIC MEMOIR
Page 466
Santo Leonardo
Italy
ICT Manager / Generative Artist
UNPREDICTABLE ENDLESS VARIATIONS GENERATED BY HARD MATH PROBLEMS
Page 469
Craig Jackson, Jeff Nilan
USA
Department of Mathematics and Computer Science Ohio; Wesleyan University, Delaware, OH
Page 470
Chad Eby
USA
School of Art and Visual Studies, University of Kentucky, Lexington, KY
Page 471
Binru Yang, Cody Tucker
Germany
Max Planck Institute of Colloids and Interfaces, ITECH University of Stuttgart
TIME-FORM-PERFORMANCE -TESSELLATION DESIGN LAWS
Page 475
Guillaume Rochais
France
ACCRA, Université de Strasbourg
Page 478
Oday Qusay Abdulqader Alchalabi, Ashraf Ibrahem Alhafude
Iraq
Department of Architecture Engineering, College of Engineering, University of Mosul
THE ADAPTIVE RE-USED OF THE HISTORICAL ORNAMENTS IN THE SPACE
Page 479
Mark Zanter
USA
Marshall University, School of Music
Page 482
Curtis L Palmer
Canada
Edmonton, Alberta
HARDWARE, SOFTWARE & WETWARE LIMITS TO POPULATING INFINITE ZOOS
Page 486
Christine Ramsay
Canada
Department of Film, Faculty of Media, Art and Performance, University of Regina
Page 494
Brenikou
Greece
Polytechnic of Patras , Department of Computer Engineering & Informatics , Hellas
BASE POLYGONS ,TESSELLATIONS, APOPHENIA, PAREIDOLIA (WHAT IS “REAL” AND WHAT IS NOT ?)
Page 501
Maria Mannone
Italy
European Centre for Living Technology, Ca’ Foscari University of Venice; Department of Mathematics and Computer Sciences, University of Palermo
Page 546
J.R. Chang
USA
Department of Art and Design, University of Delaware, Newark, Delaware
Page 506
Chin-En Keith Soo, Rowan Simmons
New Zealand
University of Waikato, Department of Design
Page 509
Anna Ursyn, Stuart Smith
USA
Computer Graphics, Digital Media University of Northern Colorado, Computer
Science and Music, U Mass, Lovell
Page 510
Andrea Wollensak, Brett Terry, Bridget Baird
USA
Connecticut College, New London, CT
ENVIRONMENTAL CRITICAL ZONES: READING THE WRACK LINES
Page 514
Regina Bittencourt
Chile
Interdisciplinary Artist, Math Art, Santiago
Page 516
Jim Bizzocchi
Canada
School of Interactive Arts and Technology, Simon Fraser University, Burnaby
Page 521
David Bouchard
Canada
New Media, Ryerson University, Toronto
HIGHWAYS, A GENERATIVE MEDITATION ON THE GEOMETRY OF INTERCHANGES